KIRSTY PRIMER
if you've just stumbled upon the songs of Kirsty MacColl, this could be the place to start reading.
Freeworld's definitive Primer.
Kirsty
Anna MacColl was born in Croydon, South London on 10th October 1959. Her
father was the legendary folk singer Ewan MacColl, but she grew up seeing
him only at weekends, being raised by her dancer/choreographer mother, Jean
Newlove along with brother Hamish. Being older, it was Hamish's record
collection which the young Kirsty commandeered to immerse herself in the
sounds of the Beach Boys and Neil Young, which she credited with inspiring
her love of harmonies and songwriting skills.
In
1978, Kirsty joined a minor league band called (in the spirit of the times)
the Drug Addix, masquerading as Mandy Doubt. They released one EP on
Chiswick Records, and Kirsty then spent the rest of her life trying to pretend
it never happened! On the back
of some demos for Stiff Records, Kirsty was auditioned as a solo singer and,
having none, had to come up with a song pronto - so she wrote They
don't know, and it became her first single in June 1979.
Even
in those early days, Kirsty soon discovered how fickle the record business
is and, having recorded another single co-written and backed by the Boomtown
Rats, she found herself off the label and the single binned. Off to
Polydor then and, after her rather fine cover of the Goffin/King hit Keep
your hands off my baby did nothing, in May 1981 she hit No. 14 in
the UK chart with the highest ranking composition of her entire career -
There's a guy works down the chip shop swears he's
Elvis, a witty rocking number
pointing the finger at lying scoundrels everywhere, a theme she would return
to with relish throughout her songwriting life.
An
album, Desperate Character, was put out on
Polydor featuring a collection of snappy Kirsty songs along with a few covers
of 60s songs. It
didn't trouble the charts, and was in fact unknown to all but her most long
serving and devoted fans from the time. Another two singles - the self-penned
See that girl and the Beach Boys cover You
still believe in me were
unjustly ignored prior to Polydor parting company with Kirsty.
After
a one off collaboration with rockabilly outfit Matchbox and one single for
North of Watford records which nobody has ever set eyes on, she returned
to the Stiff label and promptly released what really should have been her
second hit, the fine song Terry (is as tough
as Marlon Brando). That
success eluded her for just two months however, and in December 1984 she
hit No. 7 with her version of Billy Bragg's A new
England. Her
knack for spotting a killer song and her persuasiveness in having the song's
author write an extra verse just for her paid off with what would be the
biggest solo chart success of her career. The next single, He's
on the beach six months later inexplicably got nowhere and her second
spell with Stiff came to an end.
In
November 1987, Kirsty got to No. 2 in the chart performing with the Pogues
on the now perennial Christmas hit, Fairytale of
New York, but
having met husband Steve Lillywhite at a Simple Minds session in 1983 she
largely spent the second half of the 80s raising her two sons, with periodic
appearances as a backing singer for a range of top acts of the day before
returning to the studio with Virgin for the 1989 release of what many still
consider to be her best album, Kite. Preceded
by the minor hit and inspiration for this site, Free
world in
February, the album came out in April and reached No.34 in the album chart. A
second hit, the Kinks cover Days followed,
reaching No. 12.
Miss
Otis regrets was recorded, again with the Pogues, for the
AIDS awareness project Red Hot & Blue and
with their help, Kirsty returned to live performance having been rather put
off by an early experience touring the ballrooms of Ireland. In 1991
she teamed up with Smiths guitarist and songwriter Johnny Marr on much of
her next album, Electric
Landlady. This was heralded by the track many Americans know
best, Walking
down Madison; the album also featured Kirsty's first fully formed
attempt at using a Latin approach (kindled by her work in New York on a David
Byrne album) with the always popular My affair before
being dumped by Virgin and hitting a slump including the breakup of her marriage
to Steve Lillywhite.
Not
being one to give up however, Kirsty bounced back in 1994 with her "sad
divorce album", Titanic Days, a bit
of a favourite around Freeworld Towers. This time the single announcing
the album's imminent arrival was the slow, resigned yet haunting Angel (floating
round this house). Also featured was a song which was to become one
of her fans' favourites and the inspiration for their memorial gesture years
later - Soho Square. Kirsty later said
that had she realised how much people liked it she would have chosen to include
the song on her Galore retrospective
in 1995.
The
album was largely low key, yet beautiful. Galore itself
was a highly successful collection, and added two new songs - "Jolene's
revenge" song, Caroline, and a
cover of Lou Reed's Perfect
Day with Evan Dando of the Lemonheads. It reached No.6 in the
UK chart, and stayed in the chart for 27 weeks.
Then everything went quiet as far as the record buying public were concerned. This
website was started in late 1995 and spent several frustrating years cataloguing
Kirsty's past but at times despairing of ever having anything new to report. During
this spell though, Kirsty was finding her feet again having almost decided
to give up the music business completely, getting busy and touring South
America and Cuba extensively. An excellent collection of old radio sessions
was put out in 1998 by Hux Records which reminded everyone how much they
loved Kirsty's performances, and in early 1999 Kirsty fell in love again
and started to work on a bunch of new material which she'd started out in
Brazil and in Cuba, meshing Latin rhythms to the traditional knowing lyrics
and great tunes which comprise "Kirsty songs". She proclaimed
herself "a Latin soul trapped in an English body" and got to work
in Pete Glenister and Dave Ruffy's studio in Bermondsey.
The
resulting tracks, featuring samples from Kirsty's by now extensive collection
of Cuban records brought back from her numerous trips, were to become acclaimed
as her finest hour - the album Tropical Brainstorm is
now seen as roughly the equal of Kite many
years before. Which
is actually better of course is down to your personal tastes. Kirsty
assembled a stunning touring band complete with horn section and ebullient
Colombian bass player.
She had already started work on her next album and was working on various side projects when she decided to take a well earned break after a year of promo and touring, going to Mexico with her partner and two sons. On December 18th 2000 her love of diving cost Kirsty her life when a large speedboat hit her off the coast of Cozumel island. The following days her photo was prominent on almost all the British newspapers and it became apparent how substantial her support amongst the public was, though she had only latterly begun to appreciate it herself. At her public memorial service, major rock stars and television actors mingled freely with the public, everyone united in their grief.
Her music lives on as testimony to her skills as a wordsmith and arranger
of lasting quality songs. Her qualities as a person live on in the memories
of her family and friends.
Comprehensive coverage of all aspects of Kirsty's career can be found in these pages. This is Freeworld. Thank you for visiting.
© freeworld 1995 - 2008 [ www.kirstymaccoll.com ]
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